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Download e-book for iPad: Ancient Mexican Designs by Pepin Van Roojen

By Pepin Van Roojen

This publication includes gorgeous photos to be used as a picture source, or concept. the entire illustrations are kept in high-resolution structure at the enclosed loose CD-ROM and are able to use for pro caliber published media and web content layout. the images is additionally used to supply postcards, or to accessorize your letters, flyers, and so on. they are often imported at once from the CD into such a lot layout, photo- manipulation, representation, word-processing and electronic mail courses; no deploy is needed. for many purposes, unmarried photos can be utilized at no cost. Please seek advice the creation to this e-book, or stopover at our web site for stipulations.

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Upon his return to Mexico, Vasconcelos refused to accept any political or magisterial post. He did, however, become involved with a group of young intellectuals and scholars who maintained a similar antipositivist and anti-Porfiriato agenda. In 1912, after Díaz’ removal from power, Vasconcelos became the president of the Ateneo and instituted the group’s first truly public educational campaign by founding the Universidad Popular Mexicana (Mexican Popular University). While its structure followed the lecture system organized by the Sociedad de Conferencias and the Ateneo, the university was aimed at educating workers and adults who had neither the resources nor the time to attend school full time.

84 The form and style of the building followed the existing structure’s figure, lines, and proportions. For Vasconcelos, this severely limited the possibilities of the design. Despite these demanding pre-existing conditions and the preferences of a skilled design team, Vasconcelos himself was a powerful influence and active force in both the design of the building and implementation of its aesthetic programs. In Vasconcelos’ inauguration speech for the sep building and throughout his writings, including La Raza Cósmica, we sense—through statements such as “I wanted to express .

The landscape, full of colors and rhythms, will communicate its richness to emotion. Reality will be like fantasy. The aesthetics of the clouded and gray [northern countries] will be seen as a sickly art of the past. 57 The tropics would become the seat of this new race. Its center, in the Amazon region, would be called Universópolis. 58 For Vasconcelos, the opposite of Universópolis was “Anglotown,” which he defined as a metropolis. Spengler used the term “metropolis” to define the material, architectural expression of a civilization at its peak and, therefore, on its way into decline.

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