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Apple Pro Training Series: Final Cut Pro 7 - download pdf or read online

By Diana Weynand

Thoroughly revised for ultimate minimize seasoned 7 and that includes new photos from TNT’s hit exhibit Leverage and the overseas tune production occasion enjoying For swap: Peace via song, this best-selling, Apple-certified consultant presents a powerful starting place in all elements of video enhancing. popular writer Diana Weynand begins with uncomplicated video modifying recommendations and takes you all through ultimate reduce Pro’s robust complicated features.Each bankruptcy offers a whole lesson in a facet of video modifying and completing, utilizing specialist broadcast pictures. After marking and enhancing clips to create a coarse reduce, you’ll how one can trim and refine the lower prior to relocating directly to complicated projects akin to including titles, growing transitions and movement results, making use of filters, and dealing with multi-format and multi-camera pictures. The ebook covers ultimate lower Pro’s intriguing new good points, together with iChat Theater help, the redesigned pace instruments, and sharing tasks on a Blu-ray disc. DVD-ROM contains lesson and media records for over forty hours of training Focused classes take you step by step via expert, real-world projects Accessible writing type places a professional teacher at your side Ample illustrations and keyboard shortcuts assist you grasp thoughts fast Lesson pursuits and time estimates assist you plan your time Chapter evaluate questions summarize what you’ve realized and get ready you for the Apple qualified professional examination

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Read Online or Download Apple Pro Training Series: Final Cut Pro 7 PDF

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Extra info for Apple Pro Training Series: Final Cut Pro 7

Sample text

Navigating Clips You can use two additional methods to open a clip in the Viewer. You can select a clip and choose View > Clip, or you can Control-click the clip in the Browser and choose Open in Viewer from the shortcut menu. Navigating Clips As you begin to edit, playing or screening clips will always be one of your first steps. But after you’ve played through a clip, you will soon want greater navigational control. For example, you may want to go back a few seconds to review an action, play faster through an area that is less important, move quickly to the head or tail of a clip, go backward or forward to find a specific frame, and so on.

Why? Because the editor brings the project together. Sometimes the edit bay––or cutting room—is the first place that documentary team members see what’s been shot. And after shooting is completed, postproduction is where the director and producer focus their attention on the editorial possibilities. Exploring and shaping those possibilities is your job as an editor. And just as a director might shoot a “Take 2” to get a better performance from an actor, you can use these Take 2 scenarios to practice and improve your editorial skills in Final Cut Pro.

Projects can contain different kinds of elements, such as Apple QuickTime movies, music, sound effects, narration, and graphics. You combine these elements to form an edited version of the material. Project elements are displayed in the Browser window under a project tab. Some of these elements, such as music, graphics, and photos, can be imported into the project, and some, such as source tape footage, have to be captured. Capturing material from the original source tape converts it to digital media files.

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